Rado Ištok is a curator, researcher and editor based in Stockholm. He is a curator of art residencies and an exhibition at Nida Art Colony of Vilnius Academy of Arts (2018-2021) in the framework of 4Cs: From Conflict to Conviviality through Creativity and Culture, and a project leader of Spaces of Care, Disobedience and Desire (2018-2020), a research project in collaboration with Marie-Louise Richards and Natália Rebelo, supported by artistic research funding of the Royal Institute of Art, Stockholm. He also participates in research course Decolonizing Architecture at the Royal Institute of Art. Exhibitions include Other Visions (2018) at PAF festival, Olomouc; I’m fine, on my way home now at Allkonstrummet, Stockholm (2017) and Galleri Gerlesborg (2018); In the Sky When On the Floor (2016) at Galleri Mejan, Stockholm; Finding Neverland (2015) at Entrance Gallery, Prague; and the forthcoming Liquid Horizons (2019) at tranzit.sk in Bratislava. Editorial work includes Decolonising Archives (2016) for L’Internationale Online, Queer Scandinavia (2015) for A2, and the forthcoming publication of Jacqueline Hoàng Nguyễn Crating the World (2019).